It's the end of a busy and stressful year for Sheffield / Liverpool electronic pioneers, Black Beacon Sound. Having released a 7" every month for the whole of 2017 (or thereabouts), with each one being released digitally, with extra content (and each one featuring a remix by an undeniably talented producer), they have decided to make all of these superb remixes available on a drool-inducingly beautiful double 12" emblazoned with their eye-catching and iconic logo and sleeve design. 

It's a beautiful package in itself, but focusing on that is obviously doing an injustice to the superb work put in by all the producers to create this mindblowing excercise in cohabitational production and community-minded collaboration. 

We kick things off with the glitched hip-hop aestetics and stoner haze of the Mad Wash rework of Zen The Sharpshooters' 'Every Lil' Bit', bringing the hot-boxed haze and relaxing the muscles before The Fire Beneath The Sea's 'Error Correction' sees a pitch-bent funked-out remix, grounded with insistent shuffled hi-hats and wah'd out guitars, before the legendary Galactic Funk Milita's festival vibe is chopped into a syncopated latin stomp for a rubberlips rework. 

On the flipside, David J Boswell's haunting electro-folk goes full dubstep in the more than capable hands of the forward-facing electronic euphorics of Liverpool electronic virtuoso, Afternaut before Denham Audio bring forth a clattering industrial fractalisation of Hang Syem's 'Frontier J'. 

The following track is possibly my favourite on the compilation (but with enough material on here to keep even the most diverse of tastes more than happy, I expect yours will be different), and comes from Sheffield wunderkind, Yak. Snappy percussion and perfectly measured electronic stabs bring a disphoric syncopation to the already excellent 'Wicked Sound' by Grievous Angel. 

Onto the final side now, (the last being blank for you to admire the gorgous sky-blue marbling) and R. Lyle takes Apta's 'Tides' and breaks it down into a simmering futuristic haze of reversed reverbs and hazy throbs, before the arshaw remix of my personal favourite release of the lot, in Bemp's 'Minotaur', culminating in a psychedelic propulsive stomper, courtesy of the aforementioned Yak and YAKONA. A match made in heaven.